Tara ra pomp pomp

Khalid Mohamed attends The Big Day weddings, listens in to Martin Scorsese’s docu-interview with Fran Lebovitz and&helli...

The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

Our Tarzans: Bollywood’s romance with the Lord of the Jungle

Film historian, Dhruv Somani, tracks down the unusual repertoire of desi Tarzan movies, which once used to delight Indian audi...

The Guru: Gautam Rajadhyaksha (1950-2011)

Khalid Mohamed writes on the imperishable legacy of the pioneering photographer of celebrity portraits.

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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

How marketers can think about a Post - COVID-19 world

Perhaps it may be a little too early to say this, but we may be reaching peak lockdowns in many places around the world. The curves aren’...

Three Indian Movies To Travel To Cairo Film Festival

Three Indian movies will be part of the Cairo International Film Festival, running from November 15 to 24. What is most remarkable is that one of them, The Narrow Path (Ott...

Meet Anoyara Khatun, India’s Crusader For Children At The United Nations

By the tender age of 19, Anoyara Khatun has been to the United Nations twice – the voice of young girls from poor families in an obscure corner of India. It was an in...